Metaphorically spanning from ancient Greece to today, the trilogy uses kitsch as a language with which Scoufaras operates—a methodology that generates a vocabulary challenging kitsch through persistent engagement. Three films comprising The Trilogy of Terror — Panic, 2014, N, 2016, and Omphalos, 2016 change sequentially throughout the course of the exhibition. The trilogy was shot during periods of heightened terrorist threats in Europe and the United States. Scoufaras addresses terror as a collective experience, asking how global events communicated through media impact an individualistic society. Do the acts of violence emerge from a desire for ownership—ownership of land or, perhaps, ownership of myths and symbolism? Do we seek to possess belief systems or are we propelled by them? How do we, collectively, experience terror?